Tuesday, June 09, 2009

[EP Review] Unsparing Sea - "In The Crystal Canyon"



*looks around* What? I'm actually updating in a decent amount of time. And no, the world isn't going to end.

To the point!

If you think far, far back into the annuls of your memory, you may remember a band by the name of Unsparing Sea. Then again, in blog time, it's only two posts back that I reviewed their album A Cloud in the Cathedral, but I assume most people reading this will be too ADD, disinterested, or senile to actually RE-READ anything on here.

Well, your eyes don't deceive you, I am in fact covering their newly (well, a month or so old now) EP. And with good reason, too. While those of you with memories long as a wizard's beard may remember that I definitely liked A Cloud in the Cathedral, the four songs on In the Crystal Canyon prove without a doubt that this is a band ill content to sit around and make the same album over and over again.

Cathedral was aptly named; the melodies were soft and soaring, conjuring images of floating through spaces designed to project words and song up to the heavens. And while there were moments of earthly groundedness, you never quite lose that sensation. Crystal Canyon, on the other hand, begins on a vastly different note; "Wolves At the Wedding" opens the EP in a darker direction, a rumbling baseline and low-pitched cello keep things unnerved and brooding. Those higher, etherial voices are still here, but softer and more atmospheric, giving one the feeling of unease.

"Diamond Caverns" follows hot on the heels of the first track, and while it doesn't conjure images of teeth coming out of the woods to get you, it's still a far cry from the stargazing sound of songs like "God Will protect the Naive" from the previous album. The minor-major shift throughout the song makes it a transitional point between the first and second half of the EP.

"Dear Playwright" is a return to softer territory, but if Cloud was the dream, it's obvious that we've woken up here. Overall the song is crisper and more articulated than it might have been one release ago.

"All I Want" closes the album on the same note; slower than the first half, on a major tone, but even though an organ sounds in between the other melodies it can hardly be mistaken for a call back to drifting through exhalted spaces.

All in all, Crystal Canyon is the sound of a band more experienced as both songwriters and musicians, confident with their sound and willing to begin pushing it in other directions.


"Wolves at the Wedding": mp3

1 comment:

Barbara Bruederlin said...

Nice review, M! I am adding this to my alarmingly long list of music to buy.

It was great running into you at Sled again yesterday. I hope the rest of your evening was as incredible as ours was. See you at the Warehouse, hopefully!