Emily Haines & the Soft Skeleton

Emily Haine's debut solo disc, Knives Don't Have Your Back was released on September 12th of this year, making this review exactly a little late.

Her first foray from her band Metric, and then the Broken Social Scene (and all related) collective shows Haine's softer side: the lyrics do not differ much from Metrics, however the music is definately not only driven from a different place, but driven to a different place. Instead of a rock out and have a good time sort of feel, this album lets off a quiet desperation. Tracks like Doctor Blind and The Lottery both slowly grow, to then slowly fade away, as if they were never there at all.

To hear Doctor Blind, The Lottery, and Our Hell check out Emily's myspace. Trust me, it's worth it.

Now, the reason this review is following the cd so many months later: when I first heard this cd, I hated it. It didn't seem worth it. Roughly three days ago, I threw the cd in my cd player after not listening to it since September, and something clicked. It all made sense. I'm putting it down to me thinking that it's more of a winter album - it just does not give off an autumn feel.

[Purchace Knives Don't Have Your Back from the Metric Online Store.]


Coming soon to WHYH: Something vaugely holidayesque. Tis the season!

Feature: The Golden Dogs

Hey all...Ju here. And no, I am not, in fact, dead.

I am UNdead. As in, the witch administrators of art school killed me with cut paper assignments, then resurrected my corpse for their own, evil purposes.

*shrugs* You'll all get used to the change eventually. I already have; you wouldn't BELIEVE how much you save on food when all you consume is human flesh. In fact...I highly doubt you'll even notice the difference.

Anyways, my new lifestyle is not the topic here. What IS the topic is The Golden Dogs...a wonderful rock/pop/indie band from Toronto. Which means, of course, that they're right close-by. And they tour, once in a while. ^^

Not for those who require every member of the band to possess and eight octave singing range and the lungs of a sherpa, but the rest of you should be just fine. Bouncy and exuberant music, without ever being trite or overly studied. The one impression you get when listening to these songs is that somewhere in the world...people still have fun making music.

I know. I thought fun was dead, too. O_o

Jangling guitarwork over female/male vocals with more hooks than an Alberta slaughterhouse (I lied. You WILL be able to tell the difference, what with the disturbing imagery >.>)...you've heard it all before. And while the Golden Dogs never sound like something you've never heard coming through your eardrums before, it's a good thing. This is the kind of pop music that doesn't get made much, anymore, and trust me, it's nice to have it back.

Also, the absent Philip once told me that they sounded like the Ramones. Which is a bald-faced lie, but a comparison like that can never be a bad sign, since THAT band wrote some of the loopiest pop music ever. *grins*

The Golden Dogs can be found at their Myspace. Yes. Um...probably on a website, as well. They probably have a website, too. O_o

...

Wow, it's been so long I've forgotten how one commonly ends these things. A handshake? Is that...um...does that work?

*coughs*

>.>

~Ju

Mixtape: Again for the Winter

Yes, it has been a while, but we're taking a fresh start here at WHYH. Things are going to be a bit sporatic until a schedule can be found, so please bear with us, and accept our apologies for making you (if any of you still bother with this) wait.

Here's a little mixtape - it's not as organized as the other ones; there's no cover art, and the order and album isn't in the ID3 tags. All of the files are mp3 except the Death Cab ones, which are m4a. (Apologies to those who haven't discovered the bliss that is Macintosh, and don't already have any Death Cab. You should be ashamed.) Also, there doesn't seem to be a theme for this one. I was just rather annoyed that no album has jumped out at me as a "winter album" (like Arcade Fire's Funeral did last year), so I decided I must make my own.

Without any further ado; Again for the Winter.
01. Kid Dakota - Ten Thousand Lakes
02. Jonas Bonnetta - Ebb and Flow
03. The Acorn - Blankets
04. Death Cab for Cutie - A Lack of Colour [m4a]
05. The Album Leaf - Wishful Thinking
06. The Decemberists - Right Red Ankle
07. Woolly Leaves - Sans Luis Rey
08. VAST - Cello Song*
09. Howie Day - She Says
10. Great Lake Swimmers - Song for the Angels
11. Death Cab for Cutie - Stable Song [m4a]

Zip file with all the songs.

Enjoy

*The track is labelled as Cello Song, but that is not the actual title. I believe it is actually called Flames. When I first heard the song a few years ago, it was introduced to me as Cello Song, and being as stubborn as a mule, I still refuse to call it anything else. Again, apologies.

Slow Runner

I'm going to let these guys sum themselves up, rather then struggle to write something that not only describes the band's sound, but comes across coherently (and, in doing so, probably fail miserably.)

this is what we hope our music sounds like: interesting, lyrical pop music shot out into space, bouncing around the satellites and getting mixed in with all their beeping and blipping. like if r2-d2 had an aching heart and a love for the noisiest beatles songs. ideally, if you took out the depressing lyrics and substituted in educational stuff about sharing with others and the states and capitals, you could sit down at a piano and have a classroom of kids singing along within minutes. that’s the idea anyway. weird sounds get added later. and then we get to play live and see if we can make every heart in the room burst with pent-up feelings. it’s a good job.

Now, I've taken that from the Slow Runner website. Well, I think that about sums up all that there is to be said.

from No Disassemble
01. Break Your Mama's Back
02. Streamlined
03. Moody Suburban Teenage Love Song

Enjoy!

A Quick Apology, and some Tapes 'n Tapes

Yes, I realize there hasn't been a post in about two weeks. I'm working more then full time hours, and Ju is settling into a new job (and celebrating her birthday, which is today! So, if anyones reading this, they should take a second to leave a comment wishing her a happy birthday. *nods*). So, there are many apologies.

Unfourtinately, things don't look good for the next couple weeks. We're both starting school, and I, for unfathomable reasons, am keeping up working full time in addition to this. Yes, I know, I don't get it either. I think insanity runs in my family.

Don't give up on us just yet though! I'm going to be trying my hardest to start posting more regularily.

So, just because I can't post without some songs, here are some Tapes 'n Tapes songs for you:
01. Omaha
02. The Iliad

Please excuse the lack of fanfare around the songs. I figure that by now most people have heard of Tapes 'n Tapes, as they've made the rounds on the music blog circuit long ago (I'm just slow on the uptake, that's all.)

So, while you're listening to (and enjoying!) those songs, take a second to wish Ju a happy birthday, and maybe let us know what you'd like to see from WHYH, or what you wouldn't like to see (if you're that way inclined).

Again, my apologies!

Touring: Broken Social Scene with Do Make Say Think

I think it's quite obvious to anyone that we here at WHYH are quite the Broken Social Scene fans. We also have quite the soft spot for their instrumental relatives Do Make Say Think. If you haven't clued into that by now, then you have been living under a rock, therefore we do not wish to deal with you; good day.

Now for the rest you: the tour dates for Broken Social Scene's and Do Make Say Think's tour have been announced. The ending of this tour brings on a break for BSS (although, not an ending, they assure us), and is the first glimmer of life we've had from DMST in a while (well, that's not counting their announced then quickly cancelled tour, after Justin broke his collarbone).

However, among all this good happy music news, there is bad news. Horrible news. Tragic news. This tour, of two bloody brilliant Canadian bands, is only in the US.

...I suppose that isn't such bad news for the Americans, but, for us Canuks? Devistating. Which is why we must indulge ourselves in songs from these two bands. I've some BSS goodies for you all, and then some album tracks for DMST.

Broken Social Scene:
7/4 (Shorelines) [an early version of the song; some would call it the original. I think it stands on its own.]
Stars and Spit [a mashup of Stars and Sons and Lover's Spit from the 7/4 single]
Ibi Dreams of Pavement (A Better Day) [live on NPR's world cafe. Thanks to the kind folks at b(oot)log for this file!]

Do Make Say Think:
107 Reasons Why [from Winter Hymn Country Hymn Secret Hymn]
End of Music [from & Yet & Yet]

Enjoy. And if you're going to be in the states while they're touring, do yourself a favour and check them out. I promise you won't regret it.

Covers: Beatles

Okay, this is just a quick post. A very quick post, but it must be done!

Lately I've been obsessing over Slow Runner. There will be a more indepth post on them in the near future (read: when I get my next paycheque and can afford their cd - yay massive overtime!), but this cover of the Beatles' song I've Just Seen a Face is... well, it's pulling at those ol' heartstrings.

Slow Runner - I've Just Seen a Face

This track is labelled as being taken from This Bird Has Flown: A 40th Anniversary Tribute to the Beatles' Rubber Soul. According to amazon.ca, it's not. However, I'm linking the cd anyways, as Rubber Soul is quite possibly my favourite record ever (although, that's blatently a lie, it's not, but it's way up there.) and just look at some of the artists on there... Sufjan Stevens, Ben Harper... definately worth checking out.

Live: Calgary Folk Fest, Part 2

Elliot Brood - picture taken by Mariella Villalobos (c) July 2006

Part Deux: Elliot Brood, and the arcane magical nature of "folk" music

Day two of Folk Fest was, basically, same procedural layout as the day before; things kicked off in the afternoon, though this time there were other acts in addition to the mainstage. For which, we all must thank whatever higher power is out there. O_o

This means, of course, that we tried to avoid the mainstage as much as possible, going out to watch Elliot Brood's show at the Sunterra Stage, far on the distant fringes of reality. No kidding. O_o You had to walk across half the park, and under a bridge, and perform many arcane ceremonies of unusual nature in order to reach it. >.>

The show itself, however, was definitely worth it. Even if we missed most of "Second Son" due to the ridiculous nature of reaching the stage, the rest of the songs were just as wonderful to hear live. Though you won't find any crazy stage antics here, the boys of Elliot Brood play with a sort of straightforward earnestness that's both charming and endearing. Less desperation than I've seen in other bands, and while desperation is definitely something incendiary to watch onstage, the fact remains that these guys really don't need it. The music itself is, while not exactly laid back, a kind of dusty, solid presence that just seems to want to jam out, labels be damned. Plus, their drummer plays suitcases. SUITCASES. COME ON!

The mainstage itself, however, was a bit of a letdown in the way that...well...to be fair, we had just watched Feist and Broken Social Scene create magic there the evening before. By comparison, having Bedouin Soundclash and Macy Gray to look forward to is akin to eating at the most amazing restaurant ever, then being hauled off to eat at Earls the next day.

There were unexpected surprises, of course, like the previous day. Robbie Fulks, for example, and Jeff Healey's Jazz Wizards were actually quite enjoyable...though by far not the kind of music I usually listen to, I know when to surrender and admit that, yes, it doesn't have to be "rock" to kick ass. Though rock would kick my ass to hear me say that. >.>

Also a surprise were the in-betweeners: especially Kris Demeanor and Chantal Vitalis. It was only later, however, that we would learn of just how decent these guys were...but that, of course, is another story. In the mean time, we just figured that, yeah, they weren't that bad...better than that unfunny comedian from the day before, anyway.

At this point, however, Bedouin Soundclash took the stage; from our perch on the haunted/cursed picnic table near the gates (inside joke, don't ask), we listened and realized two things: one, DAMN they wish they were Bob Marley, and two, it's such a shame that they're the ones who wrote "When The Night Hears My Song". Though not a bad band...well...personally, I just have to say that I find myself, once again, on the outside of understanging indie tastes. Here is a band that many people, friends of mine who have introduced me to WONDERFUL bands or whose opinion I usually highly respect, are crazy about...and I just can't see the attraction. It's like the flurry of attention around Gnarls Barkley, or the 'Fork's obsession with the Pipettes, or Liars. Sure, I understand that people like it...a LOT of people like it...but it just doesn't make sense to me the HUGE deal that is made about these artists. Every time you read something written about them, or see the overwhelming numbers of people tuning in, you get the impression that somewhere, someone thinks that these bands will save music from the jaws of oblivion.

As if they were all Spencer Krug, or something. Keh. >.>

In any case, the band finished playing...and we then proceeded to run out the gates as fast as the gravel road would permit. See, our location was a strategic one. Regardless, we almost didn't make it; the strains of Macy Grey seemed to chase us down, across the bridge and down into Eau Claire Market like the plague of dark locusts. You know...those ones that eat your soul.

I'm kidding, of course. That was a close one, though.


Next: Part 3, in which we meet Feist and Elliot Brood, and discover the evils of wisdom tooth removal.

Teitur

I was going to hold off on this post until Ju finished her Folk Fest recap, however, somewhere along the way I decided not to. Impatience always wins, you see.

Teitur is from the Faroe Islands, which are somewhere between Norway and Iceland - the sheep islands, they're called. Now, I find this highly amusing, as the folk pop Teitur creates is so calming, it can calm you to the brink of sleep - just like counting sheep!

Har har, oh, the humour.

I have some songs for you from Teiturs first major album, Poetry & Airplanes, which was released in 2003. Since then he has dropped his old record label (Universal), and released Stay Under the Stars, but only in Scandinavia so far.

To me, Teitur is that warm cup of tea on a cold evening, or the cold drizzle of rain while the sun is still shining. He creates a soft sound, which just melts away everything hanging on your heart. Maybe this is why I can't drag myself away from his music long enough to listen to anything else. But that's enough from me, lets get to the music!

From Poetry & Airplanes (2003)
01. I Was Just Thinking
02. Sleeping With the Lights On
03. Poetry & Airplanes
[ buy the album from amazon.com]

Keep an eye out for Stay Under the Stars, which will be released in North America later this year. Until then, you can buy it here.

Live: Calgary Folk Fest, Part 1

Funny how a chance to reflect can make you realize just how much things have changed in a year. In this case, the reflective shiny time surface of doom being Folk Fest. For one thing, one year ago, we didn't even know there WAS a Folk Fest in Calgary. And even if we had...well, folk still tends to conjure up images of old guys in ZZ Tops beards and the occassional hippie holding hands around the ol' Bob Dylan shrine.

Not that that doesn't happen now, of course. But now, what with all those sound experiments happening in Indie music, you'd be shocked and appalled to learn some of the acts which have managed to sneak in under the 'folk' label. Or, I guess, in our case, pleasantly surprised.


Part Un: Feist, and Malfunctioning Societal Grouping (if you want to get technical)

Day one basically consisted of adjusting to the fact that we now might be classified under the label of "folkies", and waiting in seizure-inducing excitement to see Feist and Broken Social Scene. There were other acts lined up, of course...but we suck in the way that we didn't even bother checking out if they were any good beforehand. >.>

As luck would have it, though, they were actually much more enjoyable than expected. First was Frigg, a Finnish/Norwegian/Celtic-sound ensemble that opened up the event nicely by getting everyone into the listening mood. Then Dan Bern; Dylanesque vocal style, with witty songs figuring many recognizeable cultural icons such as Marilyn Monroe, Hitler, Jesus, and Kurt Cobain. Specifically Marilyn Monroe. XD Niyaz followed, with Iranian/electronic fusion music that, though definitely cool, provoked the argument whether or not caring bongos makes one automatically cool (I still maintain that I'm right: though they are cool when played well, they don't, in fact, guarantee you such status Xp).

Finally...the moment of truth. Leslie Feist took the stage, whereupon the next 45 minutes or so were spent in rapturous wonder at how someone could possibly encapsulate so much awesome without breaking some law. So much so, actually, that she was called back for an encore (one of the only artists throughout the weekend to achieve such recognition.

And last, but not least...Broken Social Scene. Ahhh...what really needs to be said about them that hasn't been shouted enthusiastically from the tops of mountains? Though I am still fiercely determined to see "Windsurfing Nation" played live one day, I am perfectly content with the fact that every other song selection seemed to be a favourite of mine. From the energetic strains of "Major Label Debut (fast)" to "Almost Crimes to" to "Ibi Dreams" to "Fire-Eyed Boy", there wasn't a single moment where us "Scenesterer than Thou" indie kids didn't have to fight the urge to dance. I kid, of course...>.> We gave in.

So very, very easily. XD

Next Up: Day 2, whereupon we discover that the guys in Elliot Brood are wickedly cool, that it really is too bad that "When The Night Hears My Song" was, in fact, written by Bedouin Soundclash, and we escape Macy Grey by the skin of our teeth.

Music in movies: C.R.A.Z.Y.

Trying something new, isn't that just spiffing. Anyways, an integral part of any movie is in the music. Music can change the entire feeling of a scene - cue example.

Two people in bed. Picture it. No really, actually picture it. A man, and a woman. The woman is sleeping. The man is awake, looking at her.

But what's in the background? If the music has a soft, romantic lilt to it, then he's not about to crush her world. However, if it's some sad ballad, odds are they're not going to be in bed much longer.

Lets not get too off track here (or is it too late for that?). There have been some amazing soundtracks out over the years - everything from Footloose, to The Breakfast Club, to Garden State. With this new feature, we're hoping to look at some lesser known movies (since, we do claim to look at indie bands >.>) and hopefully find some killer soundtracks. And I can't promise this will be a regular feature, but then again, what really is?

C.R.A.Z.Y.

It's a story of two love affairs. A father's love for his five sons. And one son's love for his father, a love so strong it compels him to live a lie. That son is Zac Beaulieu, born on the 25th of December 1960, different from all his brothers, but desperate to fit in. During the next 20 years, life takes Zac on a surprising and unexpected journey that ultimately leads him to accept his true nature and, even more importantly, leads his father to love him for who he really is. A mystical fable about a modern-day Christ-like figure, "C.R.A.Z.Y" exudes the beauty, the poetry and the madness of the human spirit in all its contradictions.

Summary written by Jean-Marc Vallée

I grabbed that summary off IMDB, since it was ever so thoughtfully written by the director, Jean-Marc Vallée. Now, for anyone wondering, "French director? Does that mean French film?" yes, yes it does. But on the DVD, it's completely subtitled in English. A bonus for all you Anglophones out there.

The music in the movie is absoutlely vital. The music really shows Zac growing up, and the relationship with his father. Now, that doesn't seem possible, until you listen to it. However, the music will also stop this movie from being well known - as far as I know, it hasn't been released in the States due to copywrite issues. Which, is completely understandable, solely from the three songs I'm sharing with you.

From C.R.A.Z.Y.
01. Patsy Cline - Crazy
02. David Bowie - Space Oddity
03. Rolling Stones - Soundtrack for the Devil
[buy the movie from amazon.ca]

And, here's a strong recommendation to try your hardest to see this movie. And if you're not convinced yet, here is a review that should get you there. Enjoy!

Marit Larsen

Mandolins, harmonicas, and banjos - oh my! Marit Larsen creates a folk-pop sound akin to what you'd get if you mixed Iron & Wine with P:Ano, with a dash of Sufjan for good measure.Hailing from Lorenskog, Norway, Marit Larsen made her first splash in the music biz in 1999, at the young age of 16. Together with Marion Raven, in the pop group M2M, they fought with acts like Michelle Branch and Vanessa Carlton to bring a more organic feel to the bubblegum pop that was dominating the masses at the time, by writing their own songs, and playing their own instruments. We all know how that movement went.

Fast forward 7 years, and we find Marit Larsen emerging from the hiatus she had been on since M2M's split in 2002. She's abandoned her bubblegum roots in favour of a more folk- country tinged sound. The irresistable melodies are still there, floating along with banjos, a mandolin, harmonicas, a cello...the list goes on. Larsen has created her own type of folk-pop, which is worthy of being anyone's guilty pleasure.

Under the Surface was released earlier this year, and so far, it is a Norway only release. The album ranges from being moody, and sensous ("Poison Passion", "Solid Ground") to sparky and fun ("Only a Fool", "The Sinking Game"). If there's such thing as the perfect pop record, Larsen has created it. But don't just take my word on it, listen for yourself:

From Under the Surface:
01. Don't Save Me
02. Only a Fool
03. Solid Ground
[buy the album from zailor.no, site in Norwegian]

That's all for now, kids -- enjoy!

Elliott Smith and Nick Drake

Now, who hasn't heard of Elliott Smith? No one important, that's for sure. However, we've still deemed it necessary to spread The Word.
Elliott Smith's fourth album was also his first on a major label. XO was released in August of 1998, and this is a must have album. I can't even coherantly speak about it; so I'm going to let the songs speak for themselves.

From Elliott Smith's XO:
01. Tomorrow, Tomorrow
02. Baby Britain
03. Bottle Up and Explode!
[buy XO from Amazon.ca]

Now, for Nick Drake. His third (and final) album is Pink Moon. It was recorded all in one evening, the only dubbing being added piano. It is a very emotional album, which must be experianced. It's the sort of cd for a rainy day, or a lonely moment. Drake's deep voice can sooth, but it can also rouse up emotions. Again, this is a must have cd.

From Nick Drake's Pink Moon:
01. Road [m4a]
02. Parasite [m4a]
[buy Pink Moon from amazon.ca]


I'm going to second all of Ju's apologies for the lack of posting for a while, but as she said, she was in Seattle; I've been doing school (oh, math is evil) and then Phil is MIA.

Enjoy!

Live: Sonic Youth

Anyone who hasn't given up on this blog...god bless you. It's been a long stretch with no updates; that last Flashback is starting to grow mould, I think...Phil hasn't written anything new since about the time I realized that Raine Maida used up all his talent years ago (trust me, it HAS been that long). In fact...he might seriously be dead.

We're looking into it. >.>

Despite the questionable life status of the founder of WHYH, however, we have decided to push onwards. We have also decided to continue his neverending battle against Pitchfork, or "The Devil", as he used to say (Ohoh, we sure had some good times...we'll miss him, we will). That's another story, however, and completely irrelevant to the remainder of this piece.

The point of all this, I suppose, and one which I would have rambled over to eventually, was that Sonic Youth will never play Alberta. Ever. So, following that whole Mountain & Muhammad visiting each other in some random arrangement analogy, I took a trip down to Seattle to watch the 'Youth rock it up at the Moore Theatre. And ohoh, is that city wonderful and beautiful and everything I could have imagined it to be. However, that's ALSO not the point of this article. Let it just be said that my suitcase came back twice as heavy, full of music-ey goodness. (Wipers Rarities 45", anyone?)

Despite the fact that their name might now be considered ironic (Ohoh, youth...), the band was absolutely incredible. Whatever Pitchfork said about Rather Ripped, the album plays incredibly well live...thus proving that once again, those jaded critics have their heads up their rear ends. (Philip's dying wish WILL be carried out, dammit!)

Even though they only played two older songs, the crowd was still nothing less that ecstatic about the whole show, which was wonderfully executed and incredible to watch. Especially the 10-minute noise-collage that constituted the end of the second encore. XD (You haven't lived till you've seen a guitarist drop the guitar on its head in order to coax feedback, while another drags it around upside down on the floor, the bassist fiddles with the rig, and the drummer just goes ahead and holds it all together while doing his own thing.)

After the show, I stuck around and got to talk with Lee and Thurston for a while...and I really have to say this straight for anyone that might have any doubts: they were nothing short of incredibly friendly, down to earth, and totally cool. After how long they've been onstage, and hearing people tell them how amazing they are, it's definitely a feat to be so approachable.



So, to sum it all up, Seattle might be the greatest city ever built, Awesome Colour opened for the 'Youth, and were quite good (what a tough opening gig, though...>.>), Sonic Youth rock so hard that I think I have bruises just from listening to the awesomeness live, and Thurston and Lee might just be the coolest people since the guy that invented sliced bread.

So, all around, good times on the whole. Well, minus the Phil being dead part...the fight against indie elitism will continue in his memory, and we'll miss the big guy.

Well...if we ever get around to it. Probably.

Flashback [June] : Dinosaur Jr.

Dunosaur Jr. - History

They say it better, and in more detail (FAR more detail >.>) than I could ever want to muster in my slackerness. XD

But really, what that long and involved history seeks to communicate is this: Dinosaur Jr. were not only fricking awesome, different (at the time), and LOUD...they were important. Looking back, it's easy to see that more than just about every other "grunge" band given nods of recognition (they really weren't, but what really WAS 'grunge', anyway?), Dinosaur (they only tacked on the Jr. after being sued by the skeletal remains of bands like Country Joe and the Fish/Jefferson Airplane calling themselves The Dinosaurs) really brought the 'hardcore' to the table. They were good. They were an influence on just about every band that came out of the area after. They brought us names like J Mascis and Sebadoh (J was the guitarist/vocalist/composer; Sebadoh was founded by Bassist Lou Barlow). And they never really had much mainstream commercial success, but since when has that been a measure of how good a band is? XD


Here's some tunes for your listening pleasure. (Sure, it's not like seeing these guys live and feeling the blistering volume...the wall of sound...the bleeding...but who knows? Maybe if you turn up your speakers really, really loud...):

Dinosaur Jr. - Little Fury Things
Dinosaur Jr. - Out There
Dinosaur Jr. - In a Jar

Mixtape: You Know it's Time

So, this, by mere technicality, isn't a mixtape. There is no theme. There is no magical meaning stringing all the songs together. But you know what? I still think it works. It's just a collection of the songs I've been listening to far too much in the past couple weeks. They're all sort of... acousticy, all rather emotionfulled. But all conflicting emotions.

Yeah. There's no rational explaination for this mixtape. It just is.

All songs are in mp3 format unless otherwise noted; image was found somewhere in the interwebs.

01. The Decemberists - Right Red Ankle
02. Death Cab for Cutie - I Will Follow You Into the Dark [m4a]
03. Iron & Wine - Naked as we Came [m4a]
04. Feist - Gatekeeper
05. Amos Lee - Colours
06. City and Colour - When She
07. Dashboard Confessional - Living in your Letters
08. Tina Dico - Warm Sand
09. Feist - Inside and Out (Apostle of Hustle Unmix)
10. Jose Gonalez - Slow Moves
11. Elliott Smith - Between the Bars
12. Youth Group - Piece of Wood
13. The Album Leaf & Bright Eyes - Hungry for a Holiday
14. Matthew Good Band - Running for Home
15. Broken Social Scene - Lover's Spit (Feist version)

ZIP FILE

Article: How To Be The Most "Scene" Individual At A Show

Here at WHYH, the question has been coming up more and more: "How exactly do you guys do it? How do you convince people at shows and on the 'Net that you're so obviously and unquestionably 'Scene'?". The answer to all this, and more, is bribery, forgery, identity theft, and the odd mafia-style disposal of uncooperative individuals in the Glenmore Reservoir, feet encased in a block of cement.

Sadly, these methods can be difficult for most people to execute. Especially for those without the gigantic money-laundering operation we currently run out of Philip's basement. However, by following the following easy steps, you too can impress upon everyone at live shows just how 'Scene' you are.


1) Don't leave a single occupant of the venue in doubt as to how much of a fangirl/fanboy you are. (This can be achieved by yelling out offers of marriage, childbearing, or declarations of love at whatever moment you evaluate to be the most inopportune and distracting). Other than this, however, do not sing along or otherwise act like a fan of the band.

2) Wear a t-shirt depicting the band that you are going to see, just in case anyone in the audience doubts either a) what show theyr'e about to see or b)how hardcore of a fan of [insertbandhere] you are.

3) On second thought, make sure to buy said shirt AT the show, and put it on overtop of whatever you were wearing before.

4) Make sure never to actively participate as an audience member, lest those around you get the idea that concerts are meant to be fun. The best way to achieve this is to stand with your arms crossed at 90 degrees to your body, looking up at the artist/band with your head cocked slightly to one side. This accentuates the graceful fall of your Scenester Hairstyle.

5) Openly diss the opening band, no matter what their skill level or quality.

6) Cut infront of people shorter than you, or shift in order to block their view of the stage.

7) Distinguish any traits about your fellow audience members, then proceed to bemoan them at top volume. This can include hair that isn't perfectly straightened/cut to Accepted Scenester Length Standards (ASLS), height, how much the band depicted on their t-shirt sucks, etc.

8) In fact, just act like the biggest douchebag possible.

9) Look down on anyone swaying, let alone *gasp* dancing to the music being played.

10) Look down on everyone, period.


Well, we hope this guide has been helpful and informative...we hereby provide our guarantee that by following these easy guidelines, you too can become the most obviously 'Scene' Scene kid at the next concert you attend.

Or, y'know, the biggest asshole ever. Whatever.


[Disclaimer: Anyone who takes this seriously is a total asshat. ^^]

Feature: Duets

I said there would be a mixtape today, but I don't have enough time to finish the cover art and upload it all (not to mention, to finish making it ^^;;), so here's a short feature on duets.

Now, I'm a huge fan of duets, and collaberations. It's just so interesting to see how different bands and artists can fit together, sometimes cross genre, sometimes not. But before I start rambling on the essence that makes a duet good, lets just get some music going.

• Foo Fighters and Norah Jones - Virginia Moon [mp3]
  
• This song, is just gorgeous. It's on the Foo Fighters acoustic cd - the second disk of In Your Honour. Norah Jones is our jazzy little vixen, while Dave Grohl and co. tend to go to the more alternative side. Mix the two together, and it's just... it's a must listen. Must!
• Zero 7 and Tina Dico - The Space Between [mp3]
  
• I haven't actually heard much other material of Zero 7s or Tina Dico; however, Tina's got this really resonate voice, to go with Zero 7's simple synthy style. This is a very calming song.
  
• PJ Harvey and Thom Yorke - This Mess We're In [mp3]
• This is very much in PJ Harvey style, with Thom taking over on the main vocals. Escalates to an almost conversation type thing, which is sort of like two one sided conversations, where each person is saying the same thing, but, they can't hear the other. Another must listen.
• Stars - The Big Fight [m4a]
• Now, go ahead and argue that this is not a duet - it is, in essense. Sure, Amy Millan and Torquil Campbell are both in the band, but that doesn't stop it being a duet. Again, conversation type thing.
• The Album Leaf and Bright Eyes - Hungry for a Holiday [mp3]
• Quite possibly the best idea for a collaberation - The Album Leaf, a mostly instrumental band, who creates very calming music, and then Conor Oburst's collaberative project Bright Eyes, who tend to be a touch more on the chaotic side. Definately a must listen, three times in a row.
  

So, it'll be back to regular mixtape schedual, which I technically haven't actually broken yet - I just couldn't get the extra one up. So, my apologies, and enjoy these duets! (even though, they're mostly collaberations rather then duets. ahem.)

Live: The Constantines

Well, I really thought I might pull it off this time.

That is, until those U.S soldiers found my hiding place, pried me out of the hole, and dragged me, blinking and bearded, into the sunlight.

...Or, in this case, politely pointed out to me that it has, in fact, been two weeks since I even went to the show, and as such, I really should get on with writing this thing. Or else.

Curses. Xp

But here I am, on the morn of my grad day, telling the tale of that saturday two weeks ago whereupon the guitar-playing angels of the LORD descended to me, bringing the good news that rock can, in fact, Be Saved...gather 'round, children, and list' well.

It all started last summer, during a show by a little-known band titled roughly after People Who Battle Something Named Foo, fronted by the drummer of another little-known band who may or may not have saved rock/brought about its destruction (depending on who you talk to). Anyways, the point is, opening for this band of little renown was a group who, at the time, seemed decent to my ears...though what really caught my attention was the fact that their drummer played like the fate of the world depended on him beating the crap out of his kit. Kinda like the slightly-crazed ghost of Keith Moon, John Bonham, and the presently living Grohl (yeah, you figure it out how that last one's possible >.>) had taken possession of his body in order to help avert our Impending Doom.

Evidently, their efforts worked, since the world DIDN'T end that night, and now, several months and countless shows later, I was given the opportunity to see this same band play again. It was a tough, decision, of course...yeah. Real tough. >.>

As to the experience, it took place in one of the smaller venues in our very own MacEwan Hall...which was nice, and rather intimate. I must admit, though, that I'm still adjusting to the concept of crowds who don't, in fact, mosh into you and perform spin-kicks in the middle of a crowded gig space. >.> Regardless, however, the show opened well enough, with the Blood Meridian, who were decent and set the tone for the evening despite severe jetlag from having driven straight from the airport to the gig. Nice, but not astounding.

Then came the second opener, Chad VanGaalen...and here is where my mild expectations for the evening were slowly and ritually crushed by the sheer greatness of what was happening onstage. Whatever thoughts I might have had beforehand about his music were blown away by the fact that, not only can the guy play, but play REALLY WELL. And there's a certain gravity in his stage show that is as attention-holding as any act of wanton destruction. The whole audience was in awe.

...Well, despite that one guy who knew Chad, and Proceeded To be The Life Of The Concert. You know...like that one friend you can never get to just shut up, even if they do say amusing things? Good to know that being an indie Star does not make one exempt. >.>

Finally, however, this wonderful performer with an unpronouncable last name left the stage, and we of the audience scarecly had time to recover our jaded sensibilities before those Byzantian Rockers appeared, set up their gear in record time, and began to play.

Whatever my job description is on this blog...I just can't communicate in words the experience of seeing the Constantines play live. Listen to their records and you gain an appreciation for the sheer capacity of their music..."Gutter Poetry", I believe our 'good' friends over at the The 'Fork
called it >.>. However, the songs gain a certain dimension onstage that no amount of tracks and studio tricks can create...it's almost like they come alive, and proceed to overwhelm you with their awesomness until you become that screaming Beatles fangirl you always promised yourself you would NEVER be.

...Which, I'm not sure is a GOOD thing, but it definitely says something about their stagemanship. Whatever else can be said, or written, about this band, it all comes down to the simple fact that they can PLAY. Not just play their instruments...they can play music. Can undo all that jaded hoo-hah about Rock being dead, or dying, or whatever...they ARE Rock and Roll.

And yes, their drummer still played like he was possessed by the above three spirits. Maybe even gained a few along the way. >.> Which maybe makes me think that the Impending Doom is still apparent, up there...maybe it's a constantly Impending Doom, and as such, the moment bands like The Constantines aren't in existance anymore, the world will, in fact, end.

With fire and burning and all that fun stuff. And the Guitar-Wielding Angels of the LORD will ride forth and inflict His wrath upon the Nickelbacks and Theory of a Deadmans and Pussycat Dolls of the world...

it's a pleasant dream. XD


The Constantines - Nighttime, Anytime, It's Allright
The Constantines - On To You
The Constantines - Soon Enough

Mixtape: A Change in Wind

First off, I'd just like to apologise for the blatent lack of updates these past two weeks. All three of us are insanely busy with school and other various things, but that'll be over quite soon. But we do have something you can look forward to - a review of The Constantine's show in Calgary last weekend! Both Ju and Phil were there, so one of them will get around to reviewing it. Also, Phil said something about The Thurston Revival - we've got a lot to look forward to! As well, there's an extra mixtape coming up - there will be one next sunday in addition to the one every two week schedual I've got going on right now.

Now, to the mixtape. I did promise something a little more upbeat this time; however, I apparently lied. This is not upbeat. This is not happy. There's hope in it, but there's also pain. Yes, I'm being a little bit melodramatic. It's allowed.

A Change In Wind
May 28/06
All songs in mp3 format, unless otherwise noted.
Theme: Hopefulness within despair
Zip: Right here.

01. City and Colour - This Sudden Injury
["and she waits, my love, my love falls away"]
02. Regina Spector - Somedays [m4a]
["somedays, I'll endure it all"]
03. The Album Leaf - Last Time Here
04. Jason Mraz - You Make Me High
["and I don't wish to know my ending"]
05. Ani DiFranco - Out of Habit
["that I'm living for something I can't even define"]
06. Anna Nalick - Catalyst
["part of this terrible mess that you're making"]
07. Azure Ray - Displaced
["if I can just hold on tonight"]
08. Broken Social Scene - Superconnected *
["and you want to believe it"]
09. Fiona Apple - Oh Well
["what wasted unconditional love on someone who doesn't believe in the stuff"]
10. Beth Orton - This One's Gonna Bruise
["did you even notice how the wind, it didn't change that much"]
11. Stars - Tonight
["come around and say you love me - please, let's make it work tonight"]

* This is a live version of the song, recorded from the KRCW performance

Mixtape: Sleepwalking Ballad

Here we go with mixtape number two, this time inspired by something we all must do (even if I personally don't do enough of it) - sleeping.

And yes, it is just a rather amusing coincidence that all the songs have the word 'sleep' in the title. Once I noticed that trend, I removed the two songs without it, so that they wouldn't feel lonely.

This is another kind of light feeling mixtape - the next one will be a bit more fun, I promise.

Comments and suggestions for mixtapes are always very welcome; and enjoy!

Sleepwalking Ballad
May 15, 2006
Theme: sleep
Format: all in mp3

01. Ben Lee - Sleepwalking
02. Apostle of Hustle - Sleepwalking Ballad
03. Aloha - Don't Sleep
04. Smashing Pumpkins - In the Arms of Sleep
05. The Flaming Lips - Sleeping on the Roof
06. Rilo Kiley - We'll Never Sleep (God Knows We'll Try)
07. Azure Ray - Sleep
08. City and Colour - The Sleeping Sickness
09. New Buffalo - Time to Go to Sleep
10. Ane Brun - Sleeping by the Fryis River
11. Stars - Sleep Tonight

ZIP FILE: all the songs, and the pretty little artwork too.

Live: Frog Eyes and Sunset Rubdown

Well, there seems to be no help for it.

Despite procrastination, heavy sighing, and the occasional tearful refusal (as well as a feigned case of lysdexia), I am finally getting around to writing the live review for the two bands I saw play Broken City on tuesday: Frog Eyes and Sunset Rubdown.

Not that I didn't totally enjoy myself (more on that later). However, I am possibly the world's number one believer in the way of the slacker. ...Or at least, the version where you slack off for most of the time, then frantically try to finish everything on time (and WELL), all while berating life in general at top volume.

It's an art. XD

Anyways, the setting for our little tale was this smoky little dive bar known to the local musician set affectionately by the moniker "Broken Shitty". (hahah, aren't we witty) But really, I probably inhaled enough secondhand smoke to put me forward to the "two packs a day for ten years" mark of lung disease.

The reward for my martyrdom, however, was definitely worth it. First, Sunset Rubdown (Spencer Krug, of Wolf Parade fame, in an increasingly recognition-winning side project) took the stage. Or rather, "the boxed in, designated area of the bar floor". Whatever. The fact remains that even though this four-piece didn't talk overly-much with the audience, or swan-dive into their drumkit, they have this certain desperate edge to their performance that is both incredible and immediate to watch. Spencer Krug's emulation of a music-enduced epilleptic seizure while playing...just about any of his parts, really, is as visually arresting as any stage gimmick adopted by less genuinely-eccentric bands. Even his few statements made to the audience had this genuine, naive edge that's both endearing and funny. Lastly, the presence of, like, half his family in the audience lent the gig a feeling akin to a music recital, rather than a steriotypical show. Only, like, the coolest, most intense recital you've ever been to, where the little kid lights the priceless Gershwin instrument on fire at the end. Yeah.

Frog Eyes were more of the same kind of desperate stagemanship that makes you worry about whether the artists are just performing, or REALLY having a heart attack onstage. Krug played keyboards for them, leading me to learn that he had, at one time, been in the band, before forming Wolf Parade.

That's one mystery solved. >.>

So, wicked show overall. The wierdest thing, though, was probably the way that it didn't feel like any other show I've ever been to...part crazed recital, part bar show, part worrying about the mainstream accessibility of the music (my dad was in the audience...THAT's a new one. >.>). So, definitely worth the $10 I paid for tickets. And yes, I would (and probably will) do it all again.

Even the lunge disease part.


*EDIT* On the suggestion of teh Philip, here's an mp3 each, from the bands, for your listening pleasure. ^^

Sunset Rubdown - They Took A Vote And Said No

Frog Eyes - Sound Travels From The Snow to the Dark

Artist Profile: Do Make Say Think

First off, I'd like to apologize for WHYH glaring lack of posts this past week. I have especially been neglecting to update, but you will have to forgive us. It is just a busy time of the month for all of us here at We Hate Your Hate. Now, on to the profile...

Do Make Say Think is/was a Toronto band that has been described as everything from jazz, to electronica, to rock. They combine jazz style drums with electronic beats, all sorts of instruments and distorted guitars. Do Make Say Think was originally formed around 1995-1996 and have released four full length albums to date. At last count, the band consisted of five main members; Ohad Benchetrit, David Mitchell, James Payment, Justin Small and Charles Spearin.

The reason that I say that they are/where a Toronto band, is because, although the band never actually broke up, most of its members are involved almost completely in other projects. DMST's last album came out three years ago, in 2003, so it is possible that another album may be released, but to me it does not seem very likely. Charles Spearin and Ohad Benchetrit are involved heavily with Broken Social Scene.

However, even though this band may never come back, they do have four excellent albums and it is truly a shame that this band was never very big. If you are a fan of Explosions in the sky, then Do Make Say Think is definitely something you will want to look in to.

End of Music
Reitschule
War On Want
Auberge Le Mouton Noir (Recomended)

There is another Do Make Say Think song on the WHYH's Spring Mix Tape.

Bootleg: Radiohead Koko 01/05/06

So, is there anyone not excited for the new Radiohead album, coming out sometime in 2007? No? Didn't think so. May 1st marked the Koko gig; Thom and Jonny "acoustically" playing some material for a Friends of the Earth benefit for their the Big Ask campaign.

The bootleggers have pulled through; various snippets of video are available on YouTube, as well as a full audio version has surfaced. Jonny and Thom shine in this acoustic setting, in which they perform three new songs - Arpeggi (which we heard earlier in a full orchestral version), Bodysnatchers, and Cymbal Rush.

So, while listening to this lovely set, be sure to check out Friends of the Earth, and what the purpose of this concert was for.

All in mp3 format; I have no idea who the bootlegger was, but, much thanks to them.
Radiohead: Live at Koko, London May 1/06
01. Intro
02. Karma Police
03. There There
04. Arpeggi
05. Fake Plastic Trees
06. Bodysnatchers
07. Pyramid Song
08. How To Disappear Completely
09. No Surprises
10. Cymbal Rush
11. I Might Be Wrong
12. Street Spirit (Fade Out)
13. Gagging Order
14. Paranoid Android

Enjoy! (And if any of the links don't work, let me know and I'll fix them straight up.)

Flashback [May] - The Wipers

The Wipers - Portland, Oregon

The Wipers are the band who can be said to have invented 90's Seattle Rock in 1970's Portland. With brooding lyrics, wicked guitar melodies, and the incredible visionary who is Greg Sage fronting them, the band should be honoured with the likes of Iggy and the Stooges, and Black Flag.

Unfortunately, despite namechecks by individuals like Kurt Cobain and Thurston Moore, The Wipers still remain a band floating on the edge of obscurity. Even though Greg Sage is the very model of what indie music listeners look for in their "heroes" (more on that later), you would be hard-pressed to find someone under the age of thirty-five who has even heard of the band, let alone understands their impact on punk/post-punk/indie rock music in this day and age.

It seems a trifle unjust, really. Despite Greg Sage being one of the most sincere artists ever to record, never having done ANYTHING even remotely resembling "selling out", having battled through ugly legal situations to reclaim his "children" (his early albums) from indifference and ignorance at the hands of larger music distributors, and making excellent music for over twenty years, the man still languishes in somewhat-obscurity. And even though he probably likes it that way (he has, after all, always remained true to the artistic vision set out from the beginning, and avoided any actions that might bring him more mainstream success), none of us can help but wish that The Wipers would finally get the credit they deserve.

But...I'll stop rambling. All you really need to know is that these guys ROCKED.

If you want to check out the band more completely than the random mp3's down below, or grab the first three albums (come in a nifty-as-hell Boxed Set available for $17.00 if you get it from them directly), head on over to their official site at Zenorecords. Yes, the band is THAT DIY: they actually run their own official site, without external interference. XD

Now, to the files...these are all from the Wipers Boxed Set.
The Wipers - Over the Edge
The Wipers - Mystery
The Wipers - Doom Town
The Wipers - D-7
The Wipers - The Lonely One

And this one can be found on their "Best Of" album.
The Wipers - Better Off Dead

Flashback - Intro

Hey all!^^ This is Mariella, commonly called Ju, doing my first entry for WHYH...watch the magic, people.

Or run for the hills. >.> Either works.

Anyways, I've joined with Philip and Sheez in order to cover the oft-neglected side of alternative music: the obscure classics. Thus, enter Flashbacks: what we hope to accomplish in these is to spread the word about music that doesn't get nearly enough credit, or has unjustly been ignored/forgotten by people at large. You probably won't get too much in the way of news, considering that most of these bands broke up before most of us could pronounce the word "Alternative" without lisping the 'l's...but expect some boss tracks and record rec's.

So, listen to Sub-Pop's excellent point and pay attention, kids...here we go!

Mixtape: In a Safe Place

Here is We Hate Your Hate's very first mixtape, for April 2006. The theme is 'In a Safe Place', which is blatently stolen from the title of an Album Leaf album. Speaking of The Album Leaf, they kick off this mixtape.

In a Safe Place
April 30th, 2006
Mixtape by Sheila
Theme: Safe
Format: all in mp3

01. The Album Leaf - Over the Pond
Is there anything more soothing then The Album Leaf? The album is titled 'In a Safe Place' for a reason, you know. Quite possibly the only music that can soothe a savage beast.
02. American Analog Set - Know By Heart
This is one of those songs that cannot be explained, just must be experienced.
03. Broken Social Scene - Love and Mathematics
With 'Feel Good Lost', Broken Social Scene created an album for the senses. This song, to me, sticks out as being something special. Maybe I'm just crazy, but this song seems safe.
04. The Most Serene Republic - Relative's Eyes
The lyrics to this song do not fit in with our safe theme, but... it belongs here anyways. Deal with it.
05. Plus Minus - No One Sees You Like I Do
I couldn't not put this song on here. It fits on so many levels, but it doesn't on so many other ones.
06. Augustana - California's Burning
One could argue this song should not be on here. So go ahead, and argue.
07. Beulah - Don't Forget to Breathe
The lyrics might not exactly fit perfectly, but as a whole the song seems to almost work.
08. The Flaming Lips - Waitin' for a Superman
Everyone's waiting for a superman, for someone to come along and save them.
09. Paperface - Darkside
A song of dedication.
10. Sigur Ros - Glosoli
If there is anything more soothing then the Album Leaf, it's definately Sigur Ros. Their latest, 'Takk', is absoultely magical.
11. Air - Playground Love (Vibraphone version)
Anyone who's seen The Virgin Suicides would immidately relate this song to that movie, as it's played through the entire thing. Now, for those of you who do not know the story (go and read the book!), the story deals with (quite obviously) suicide, of the Lisbon sisters. They were not safe, from anything. This is why this song is here.
12. Youth Group - Drowned
This song is here because it's about finding safeness in something that isn't exactly safe. An escape song, if you will.
13. Do Make Say Think - Soul and Onward
The atmosphere of this song is unbelieveable. It is, in essense, safe.

A zip file, containing all of the songs as well as the album art.

Album art credits: The model is Jennifer Head; photography and editing by me.

I hope you enjoy; and feel free to let me know what you think of the song choices, the mix, anything. And also, any suggestions for mixtape themes, titles, or even just one song to work off of are very much appreciated.

Artist Profile: Novillero

Novillero is a four piece band from Manitoba. They have two full length albums out; Aim Right For The Holes In Their Lives (2005) and Brindleford Follies (2004). Currently, Novillero is touring around western Canada so if you live out on this side of the country then you should go check them out. There is a full list of their concert dates on there website. They have a few tracks up there, as well as a few more at myspace and New Music Canada. Furthermore, you can listen to an in studio session of theirs over at CBC Radio 3.

Novillero is another fun band. Their songs are mostly upbeat, keyboard driven, pop melodies. If you like bands like the Lovely Feathers, Sloan, Hot Hot Heat or The New Pornographers, then Novillero is definitely for you.

Here are some songs off of Aim Right For The Holes In Their Lives :
Laissez-Faire System
The Hypothesist
The Art Of Carrying On
Abbey
Aptitude

And here are three tracks from Brindleford Follies:
Cat Scan
The Plaguing of An Ex-Comic's Mind
Stumble On

New Release: Hind Hind Legs

Also out as of last Tuesday, was the Lovely Feathers' new album, Hind Hind Legs. The first time I heard these guys was back in October of last year. I saw them live and was absolutely blown away. The Lovely Feathers are another strange band, but onstage they had this amazing energy. I don't think I've ever seen any other band seem so happy to be onstage. Anyway, Hind Hind Legs is their second album and you can listen to three of the tracks off of it over at Myspace.

Here is the band's official website. They are currently touring around Ontario and Quebec, so if you are in that area, then I suggest checking them out. I also have a few Lovely Feathers tracks for you.

Fudgicle
The Bronze
Force Fire Force

New Release: Yes, Virginia...

Last Tuesday marked the release of the Dresden Dolls latest album; Yes, Virginia... It is their third full length album and definitely something worth checking out if you ask me. They were previewing the whole album on myspace but they are starting to take it down. However you can still listen to some of the tracks here. They also have the music video for 'Sing".

The Dresden Dolls are a very strange band. They are made up of just two people; Amanda Palmer (Piano/Vocals) and Brian Viglione (Drums). However, generally it is that strangeness that attracts people to them. Their songs are catchy and even though they tend to be quite odd, you might find yourself listening to them on repeat for a while.

I have a few Dresden Dolls mp3s for you. These ones are from Yes, Virginia...
First Orgasm
Shores Of California
Dirty Business

And these are from their earlier CDs
Girl Anachronism
Bad Habit
Missed Me
Half Jack

An intro, of sorts.

Yes, this is indeed another one of countless other music blogs. Another Indie Music Blog to be precise. So if you have something against Independent music, or Canadians, then this is not a website you are going to want to look at. You have been warned.

Also note that all the mp3s that are posted are for sample purposes only and should be deleted from your computer within 24 hours of downloading. Support the artists.

If you have any feedback, questions, or suggestions for really great indie bands, then please email us at Wehate_yourhate@hotmail.com